Opening
July 9,
Laurence Miller
Gallery will feature highlights from the previous exhibition season,
along with a preview of the season to come. One of the most asked
questions in galleries today is the ubiquitous “Did I miss the Arbus,
Gursky, Wolf Kahn, or (fill-in-the-blank) show?” With over 500 art
galleries in New York City mounting approximately eight shows a year, a
serious gallery-goer would have to attend at least 17 galleries
a day for 47 weeks to see all the shows in a given exhibition season.
Needless to say, many folks miss what they would like to see because of
the sheer quantity of offerings. Add to that, museums, non-profits,
teaching institutions and graduate shows, and you have a tremendous
volume in visual art alone. For this reason, we have chosen to devote
the summer schedule to the best in those shows that were wonderfully
conceived and received, and previews of those that are on the horizon.
Highlights of the season gone by will include: Diane Arbus /Junior
Interstate Ballroom Dance
Champions paired with Helen Levitt/ Amazed
Boy; a selection of city stills from our AIPAD one-person Ray
K. Metzker show; grand color landscapes by Toshio Shibata
from Japan and Peter Bialobrzeski from Germany; magnificent
seascapes and landscapes by DoDo Jin Ming; and Julie Mack’s Stallion
Suite from her inaugural exhibition.
Highlights from upcoming shows are: Burk Uzzle’s color
photograph Prada Store, Marfa,
Texas, anticipating his September opening; a
recently-acquired Ray K. Metzker composite which hints at things
to come in the late fall when Metzker’s retrospective opens in
Lausanne, Switzerland, and a concurrent show opens here; and recent
Cranbrook Academy graduate Jonathan Keller’s 1.5 minute video Living
My Life Fast, a mobile self-portrait spanning a period of 8
years that is an intriguing and exhilarating commentary on the speed of
time.
The preponderance of art fairs in recent years may be the antidote to
trying to see so much at galleries, but for fairs, and artists in general, to continue to succeed, those artists making pictures today
need to be seen. Past (Present)
Future gives an opportunity to double Warhol’s 15 minutes of fame for
our artists and reward viewers who did not catch things the first time
around.
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