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Ray K.
Metzker
Ray K. Metzker has quietly been making extraordinary photographs for the
better part of six decades. Today, he is recognized as one of the great
masters of American photography, a virtuoso who has pursued his chosen
medium passionately for fifty years.
Metzker was born in 1931 in Milwaukee and attended the
Institute of Design,
Chicago--a renowned school that had a few years earlier been dubbed the
New Bauhaus-- from 1956 to 1959. He was thus an heir to the avant-garde
photography that had developed in Europe
in the 1920's. Early in his career, his work was marked by
unusual intensity.
Composites, multiple-exposure, superimposition
of negatives, juxtapositions of two images, solarization and other formal
means were part and parcel of his vocabulary.
He
was committed to discovering the potential of black and white photography
during the shooting and the printing, and has shown consummate skill in
each stage of the photographic process. Ray Metzker's unique and
continually evolving mastery of light, shadow and line transform the
ordinary in the realm of pure visual delight.
Major American museums began showing an interest in Metzker's work in the
1960's. Cementing his reputation as a master photographer,
the museum of Modern Art in
New York gave him his first one-man show in 1967.
Retrospectives were organized in 1978 by the International Center of
Photography in New York, and in 1984 by
the Museum of fine Arts
in Houston.
The
Houston exhibit was subsequently shown at the San
Francisco Museum of Modern Art, the Art Institute of Chicago, the
Philadelphia Museum of Art, the High Museum of Art,
Atlanta, the International Museum of Photography,
Rochester, and the National Museum of American Art,
Washington, DC.
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Selected Images
1950s - 1960s
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Chicago, 1957
8 x 10" silver print Edition 25
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Chicago, 1958 8 x 10" silver print
Edition 3
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Chicago, 1958
8 x 10" silver print Edition 5 |
Philadelphia, 1962 8 x 10" silver print
Edition 25
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Philadelphia, 1963
8 x 10" silver print Edition 10
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Philadelphia, 1964
10 x 8"
silver print Edition 25
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Philadelphia, 1964
10 x 8"
silver print Edition 20
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Philadelphia Penn Center, 1965 6 x 6"" silver
print
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Atlantic City, 1966 11 x 14" silver print
Edition 25
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Composites
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A Maze 'N Philadelphia, 1967/1984
Composite of 14 mounted prints
67 x 51.5" Signed on verso
Unique
SOLD
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Hot Diggedy, 1967-2002
Composite of 8 mounted prints
35 x 42" Signed on recto
Unique
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1105 Window, 1965
Composite of 12 mounted prints
30 x 22" Signed on verso
Unique
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Anonymous, 1962/1992
Composite of 154 mounted prints
23.5 x 21" Signed on verso
Unique
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Flutterbye, 2007
Composite of 13 mounted prints
24 x 20" Signed on verso
Unique
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Sea Salt, 1965
Composite of 12 mounted prints
20 x 16" Signed on verso
Unique
SOLD
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Chicago, 1959
Vintage gelatin silver print
10 x 8" Signed on verso
One of two known vintage prints
SOLD
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Parking Pavilion, 1967
Composite of 14 mounted prints
30 x 22" Signed on recto
Unique
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Venetian Blind, 1966
Composite of 10 mounted prints
22 x 30" Signed on recto
Unique
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Whimsy #3, 1974
Composite of 4 mounted prints
10 x 10"
Unique
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Whimsy #10, 1974
Composite of 4 mounted prints
10 x 10"
Unique
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Nude, 1966/1985
Composite of 7 mounted prints
32 x 21" Signed on recto
#13/20 (only 14 completed)
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Soxy, 1973
Composite of 20 mounted prints
13 x 12 ½" Signed on recto
Unique
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Zip Squared, 1964
Composite of 16 mounted prints
15 ¾ x 14" Signed on recto
Unique
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Singing in the Rain
Composite of 20 prints
9 x 11 3/8" on 16 x 20" mount
Signed on recto
Unique
SOLD |
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Wispy, c. 1974
Composite of 9 prints
6.5 x 6.5" on 16 x 14" mount
Signed on recto
Unique
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Wispy, c. 1974
Composite of 16 prints
8 x 8" on 16 x 14" mount
Signed on recto
Unique
SOLD
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Yatata, c. 1974
Composite of 16 prints
7 1/4 x 7 1/4" on 16 x 14" mount
Signed on recto
Unique
SOLD |
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Majoodles, 1966-2007
Composite of 20 vintage prints
Prints made c. 1966, mounted 2007
18.8 x 22" Signed on recto
Unique
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Up, Up and Away, 1965-2002
Composite of 4 mounted prints
19 x 19" Signed on recto
Unique
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In Situ, 1964-2006
Composite of 15 mounted prints
8.25 x 9" on 20 x 16" mount
Signed on recto
Unique |
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Couplets and Double
Frames
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Philadelphia, 1965 (double frame)
8 x 10"
silver print Edition 25
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Philadelphia, 1965 (double frame)
10 x 8"
silver print Edition 25
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Philadelphia, 1966 (double frame)
10 x 8"
silver print Edition 25
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Atlantic City, 1968 (couplet) 10 x 8" silver print Edition 20
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Atlantic City, 1968
(couplet) 10 x 8"
silver print Edition 25
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Philadelphia, 1968
(double frame) 14 x 11" silver print
Edition 25 |
Landscapes
Denver, Colorado, 1986 from the series
Earthly Delights 16 x 20" silver print Edition 25
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Virginia, 1988
from the series Earthly Delights 16 x
20" silver print Edition 25
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Provence, France, 1989 from the series Sojourn 16 x 20"
silver print Edition 25
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Provence, France, 1989 from the series Sojourn 16 x 20"
silver print Edition 25
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Moab, Utah, 1994 16 x 20" silver print Edition
25
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Moab, Utah, 1995 16 x 20" silver print Edition
25
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Gallery Exhibitions
Two of a Mind September 12 - November 17, 2012
Ray K. Metzker: Composites 1964-2007 March 7 - March 11, 2012
Ray K. Metzker:
Intimations January 6 - February 26, 2011
Ray K. Metzker:
AutoMagic Nov 24, 2009 - Jan 9, 2010
Ray K. Metzker:
Wanderings March 14 - May 2, 2009
Ray K.
Metzker: Singular Sensations Nov. 1, 2007 - Jan 12, 2008
Press
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Review: Ray K. Metzker: Intimations
1/24/11
by Vince Aletti
"Among Metzker's contemporaries,
only Harry Callahan and Lee Friedlander can compare in range, depth, and
inventiveness." View exhibition
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Review: Ray K. Metzker | AutoMagic 12/14/09
A survey
of photographs involving automobiles provides an ideal opportunity to
study the terrific sweep and intelligence of Metzker's inventiveness.
Made between 1958 and 2009, the black-and-white work often falls between
representation and abstraction: cars are reduced to gleaming outlines
and bulky shapes within graphic compositions. The largest and most
recent pictures treat their reflective surfaces as fun-house mirrors,
distorting the surrounding streetscapes. But earlier images, on a more
intimate scale, are also more engaging; evidence of an eye always alert
to moments when the ordinary turns sublime. Breaking with the abstract
impulse are several fine photographs of people in their cars that
suggest a whole other line of inquiry. View exhibition
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Contact
the gallery for additional information regarding Ray K. Metzker