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From November 9
through January 6th,
Laurence Miller
Gallery will present STÉPHANE COUTURIER: MELTING POINT, a selection of
recent large-scale time-exposure color photographs taken in a Japanese
high-tech
Toyota
factory, north of Paris.
In this series Couturier extends his decades long project of exploring
how modern cultures simultaneously construct and destroy. He captures
what he has termed the ‘urban archeology’ of cities. Whether
through images of demolition or construction, the unique energy and
vitality of his photographs accentuate the temporal turbulence of
metropolitan areas of the world.
Using a large format camera, and working with a lab technician,
Couturier creates crisply detailed prints that expand the viewer’s
awareness of how a photograph can look and how urban occurrences can
be conceptualized. Each picture is printed from a multiply-exposed
color negative, a sandwiching of two moments in time, creating highly
abstract yet precisely detailed images as painterly as a de Kooning
and as information-filled as a Walker Evans. People, machines, car
parts, wires and more all compete for the viewer’s
attention—images of industry simultaneously out of control and in
perfect harmony.
Stéphane Couturier has exhibited extensively in Europe and the
United States, including the Lowe Museum of Art,
Miami, the Musee d’Art Moderne et Contemporain, Strasborg, the Brooklyn
Museum of Art, New York and the Fogg Museum of Art, Cambridge. His photographs are in the collections of the Musee de L’Elysee,
Lausanne, the
Los Angeles
County
Museum, the Art Institute of Chicago, the Santa Barbara Museum of Art and
the Cleveland
Art Museum. In accordance with his most recent series, publisher Ville Ouvret
has printed the monograph: Stephane
Couturier: Melting Point. His landscape work is currently on
exhibit in the
International
Center for Photography Triennial, Ecotopia, though January 7th,
2007.
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