| Laurence Miller Gallery Exhibition May 5 - June 30, 2005 |
Surface group selection
|
Harry
Callahan’s Chicago, 1950, a horizonless landscape consisting
solely of randomly scattered leaves, contrasts greatly with the very
ordered collage that is the NASA moonshot; Toshio Shibata’s three
platinum prints of the Grand Coulee Dam describe a time-lapse sequence
and in essence freezes time, whereas Walker Evan’s Grave, 1936,
reveals two elements of time-- that a child has died too young, and that
the burial was recent. Peeling
paint and tattered paper in two abstractions by Aaron Siskind are
evidence of the effect of the ravages of time, and similar markings in
graffiti photographs by Helen Levitt show how photography can capture a
moment in time that nature can erase even more quickly.
Finally, in De Bijenkorf, |
(click image to view detail)
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