| Laurence Miller Gallery Exhibition Jan 10 - Feb 23, 2002 |
Time Distance Memory
| The group exhibition Time Distance Memory is a personal attempt to present images that reveal the essence of memory, the freezing of time, and the measuring of distance. It is about longing, loss, visualization, and denial-- because in reality this is what all photographs do. From the capturing of adolescence by Sally Mann, to a Man Ray diptych of a woman passing through a doorway, to grave stones toppled by the Nagasaki atomic blast 600 meters from impact by Shomei Tomatsu, to passionate graffiti at Graceland by William Eggleston, to Vic Muniz’ memory in syrup of Mao interpreted by Warhol, to a timeless Hiroshi Sugimoto movie palace, to Helen Levitt’s recording of a child’s street drawing. All frozen in time. Each a memory. Each a truth. History is what we remember. Photographs provide the proof. |
[ Section 2 of 2 ] (click image for detail view)
[ Image not available ]
Vic Muniz
Mao, 1999
Toned gelatin
silver print, 38 x 30"
Signed, titled, dated and editioned AP1/3 on
verso
(no
detail)
Erwin Olaf
Christy T, 1999
C-print
on Fuji Crystal Archive paper
Signed,
titled, dated and editioned # 2/5 on verso
Man Ray
Surreal Doors Dyptych, c.1940
Two
vintage gelatin silver prints, each 4 3/16 x 4"
Inscribed on verso
Kenneth Snelson
Hudson River with the
World Trade Center, 1995
Gelatin
silver contact print, 20 x 93"
Signed, titled, dated and editioned
#10/15 on recto
Michael Spano
Fruit Cup, 1989
Gelatin
silver print, made 2001, 28 1/2 x 23 1/4"
Signed, dated and editioned #
5/20 on recto
Hiroshi Sugimoto
Akron Civic, Ohio,
1980
Gelatin silver print, 20 x 24"
Signed, titled, dated and
editioned # 13/25 on verso
Shomei Tomatsu
11:02, Nagasaki, 1961
Gelatin silver print,
8 x 8"
Signed on verso
Shomei Tomatsu
Uragami Church, 600
meters from blast, Nagasaki, 1961
Gelatin silver print, made 1984, 22 3/4 x
19 1/2"
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