Helen Levitt

Pairs and Apples

June 14 – August 3, 2017

Helen Levitt Spider Girl 1980
Helen Levitt NYC. 1940
Helen Levitt NYC bubbles
Helen Levitt NYC, 1939
Helen Levitt NYC 1945
Helen Levitt NYC, circa 1939
Helen Levitt NYC, 1940
Helen Levitt NYC, East River, circa 1945
Helen Levitt NYC, 1971
Helen Levitt NYC, circa 1972
Helen Levitt NYC, circa 1940
Helen Levitt grafitti NYC 1939
Helen Levitt Egg Graffiti NYC 1939
Helen Levitt NYC, circa 1945
Helen Levitt NYC, 1940
Helen Levitt NYC, 1939
Helen Levitt NYC 1938 kids with car
Helen Levitt NYC 1940
Helen Levitt NYC, circa 1942
Helen Levitt NYC, 1939
Helen Levitt NYC, 1971
Helen Levitt NYC
Helen Levitt NYC 1972
Helen Levitt NYC 1972
Helen Levitt NYC kids in window
Helen Levitt NYC, circa 1940
Helen Levitt NYC, circa 1940
Helen Levitt NYC, circa 1974
Helen Levitt, NYC 1984
Helen Levitt NYC, circa 1942
Helen Levitt NYC, circa 1940
Helen Levitt NYC, 1942
Helen Levitt NYC, circa 1940
Helen Levitt New Hampshire
Helen Levitt New Hampshire, 1983

Press Release

OPEN BY APPOINTMENT FOR THE MONTH OF AUGUST
Laurence Miller Gallery presents HELEN LEVITT: PAIRS AND APPLES

The show highlights Levitt’s unique gift for capturing the way people communicate through body language, with special emphasis on one of her perennial interests: pairs of people sharing a moment in the streets and on the stoops of her native New York City. Helen had a singularly lyrical eye and, whether it’s two children dancing in the street or two nuns perched at the bank of the East River, her work never fails to show the playfulness that is at the heart of human interaction.  Not surprisingly, Helen reveals this in animals as well, joyfully sharing two New Hampshire pigs in a barnyard kiss, from 1986.

This 30 print show surveys these themes across her six decade career, featuring both her classic black and white work which began in the late 1930’s,  as well as her pioneering color work from 1959 on through the 1980’s. Among the works selected are a number of unique first prints, including two 4x5” contact prints of a gypsy boy at home, shot in 1939 using her friend Walker Evans’ camera and flash.  The slight turn of the boy’s hand was the key to Helen’s choice to publish this one over the variant.

Part of the pleasure of Helen’s pictures is their glimpse of an old New York, before television and air conditioning, when people were lined up on their stoops like the fruit in a street vendor’s display. Conversely, Helen’s work is forever young because its true subject is the ageless spark between two people (or animals). 

HELEN LEVITT: PAIRS AND APPLES will be our final exhibition at 20 West 57th Street, since the building is scheduled for demolition.  We plan on reopening in Chelsea in September.
 

HOURS:  Tuesday – Friday, 11-5:30    through July 21.